{"id":813,"date":"2026-09-29T11:56:47","date_gmt":"2026-09-29T08:56:47","guid":{"rendered":"https:\/\/lineswaves.com\/?page_id=813"},"modified":"2026-10-14T16:04:43","modified_gmt":"2026-10-14T13:04:43","slug":"khoroshun","status":"publish","type":"page","link":"https:\/\/lineswaves.com\/en\/khoroshun\/","title":{"rendered":"Tetiana Khoroshun"},"content":{"rendered":"
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1996<\/p>\n\n\n\n

2012 \u2013 2016<\/p>\n\n\n\n

2016\u20132020<\/p>\n\n\n\n

<\/div>\n\n\n\n

2018 \u2013 2022<\/p>\n\n\n\n

2021\u2013on<\/p>\n\n\n\n

2023\u2013\u0434\u043e\u0441\u0456<\/p>\n<\/div>\n\n\n\n

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born in Yalta, Autonomous Republic of Crimea, Ukraine<\/p>\n\n\n\n

studied music theory at the R. Glier Kyiv Municipal Academy of Music<\/p>\n\n\n\n

studied at the National Music Academy of Ukraine, specializing in classical composition with Yevhen Stankovych and electroacoustic composition with Alla Zagaykevych.<\/p>\n\n\n\n

member of the electroacoustic duo GUMA, together with Yana Shliabanska<\/p>\n\n\n\n

member of the Ukrainian Association of Electroacoustic Music<\/p>\n\n\n\n

currently pursuing a master\u2019s degree at the Academy of Music, University of Ljubljana, under Prof. Vito \u017duraj.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2016<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

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2023<\/p>\n\n\n\n

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2024<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

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2025<\/p>\n\n\n\n

2026<\/p>\n<\/div>\n\n\n\n

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First Prize Laureate of the Spendiarov International Composition Competition<\/p>\n\n\n\n

First Prize Laureate of the Yevhen Stankovych International Music Competition<\/p>\n\n\n\n

Laureate of the Ivan Karabyts Young Composers Competition<\/p>\n\n\n\n

recipient of the President of Ukraine Scholarship for Young Artists<\/p>\n\n\n\n

recipient of the President of Ukraine Grant<\/p>\n\n\n\n

Nominated for the Dora Mavor Moore Awards in the Outstanding Sound Design \/ Composition category for First M\u00e9tis Man of Odesa,<\/em> as part of Daraba, together with Aaron Macri<\/p>\n\n\n\n

nominated for the 5th Ukrainian Theatre Award GRA for the production \"Me, the War, and the Plastic Grenade\", for the musical score co-created with Andrii Merkhel<\/p>\n\n\n\n

artist residency at the Zbigniew Raszewski Theatre Institute<\/p>\n\n\n\n

DAAD Artist-in-Residence<\/p>\n\n\n\n

Nominated for Ukrinform\u2019s Infoboom \u2014 Classical Music 2025 national ranking in the Best Composer of the Year category<\/p>\n\n\n\n

Recipient of a Culture Helps \u2013 insha osvita grant for the implementation of the VRTATYS\u02bc project<\/p>\n\n\n\n

Recipient of a Performa grant for the implementation of the People of the Landscape (\"\u041b\u044e\u0434\u0438 \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442\u0443\") project<\/p>\n<\/div>\n<\/div>\n<\/div><\/section>\n\n\n\n

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2018\u20132026<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

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2019<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

2025<\/p>\n\n\n\n

2026<\/p>\n\n\n\n

2026<\/p>\n\n\n\n

2026<\/p>\n\n\n\n

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performances at EM-VISIA, a festival of electroacoustic music (Kyiv)<\/p>\n\n\n\n

presented the project 'The Concert Has Broken Down' at Bouquet Kyiv Stage, in collaboration with Antonii Baryshevskyi and Ihor Zavhorodnii<\/p>\n\n\n\n

participation in the Two Days and Two Nights of New Music festival (Odesa)<\/p>\n\n\n\n

participation in the contemporary arts festival GogolFest (Dnipro)<\/p>\n\n\n\n

Created the multimedia performance work 'i' as part of the Darmstadt Ferienkurse<\/p>\n\n\n\n

presented the electroacoustic work Seaweed (Morske Zillia) at Ruhrtriennale<\/p>\n\n\n\n

solo concert at Vere Music Hub (Kyiv)<\/p>\n\n\n\n

presented the multichannel work LJ at Ars Electronica, as part of Sonic Saturday<\/p>\n\n\n\n

performed two concerts as part of the Berliner K\u00fcnstlerprogramm at DAAD \/ daadgalerie<\/p>\n\n\n\n

\u0437articipation in the Kyiv Music Premieres festival<\/p>\n\n\n\n

performance as part of the music programme at the Book Arsenal Festival (Kyiv)<\/p>\n\n\n\n

Commissioned to compose a symphonic work for the 'Music Garden' project, in collaboration with the Center for New Music, the National Philharmonic of Ukraine, and the Dnipro Regional Philharmonic.<\/p>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n<\/div><\/section>\n\n\n\n

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For ensemble<\/strong><\/p>\n\n\n\n

People of the Landscape (2026) for soprano, violin, cello, clarinet, and electronics<\/p>\n\n\n\n

madrigal (2025) for violin, cello, flute, clarinet, horn, trombone, and electronics <\/p>\n\n\n\n

cicadas starring on the sun<\/a> (2026) for bass flute, bass clarinet, accordion, double bass, and percussion<\/p>\n<\/div><\/section>\n\n\n\n

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Tetiana Khoroshun Playlist<\/a> (\u0413\u0423\u041a, 20 \u043a\u0432\u0456 2026)<\/p>\n\n\n\n

The Songs of Coal and Steel: The Sound of Ukraine's Industrial East (in Ukrainian)<\/a> (The Claquers, 30 Nov 2025)<\/p>\n\n\n\n

Ukrainian Field Notes XL<\/a> (a closer listen, 19 Jan 2025)<\/p>\n\n\n\n

The Agony of Culture: Polish Stage Premieres by Andrii Merkhel and Tetiana Khorosh<\/a>un (The Claquers, 6 Jan 2024)<\/p>\n<\/div><\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":817,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-2","meta":{"footnotes":""},"class_list":["post-813","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/pages\/813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/comments?post=813"}],"version-history":[{"count":22,"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/pages\/813\/revisions"}],"predecessor-version":[{"id":1176,"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/pages\/813\/revisions\/1176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/media\/817"}],"wp:attachment":[{"href":"https:\/\/lineswaves.com\/en\/wp-json\/wp\/v2\/media?parent=813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}